No Holds Barred
1989
Dir; Thomas J Wright
"No Ring. No Ref.
No Rules"
The Hulkster try's to
do an impression of himself being really cool and nice and stuff.
Hulk Hogan, the biggest
usurper of autistic merchandise collectors disability living
allowance since Kiss, stars in professional wrestling's ultra glossy,
ultra brainless answer to the Rocky films. Hogan plays Rip, the
worlds most popular professional wrestler and world champion who puts
family first, gives money to charity and spends his time giving young
children pep talks about being the best. Even when wearing casual
clothes Rip's arms are eternally oiled. He's a bit like Hulk Hogan
but without the steroid abuse, extra-marital affairs, homemade sex
tapes and inflated ego.
Brell (Kurt Fuller) is an
evil television executive who wants to sign Rip to a contract because
his channel, World Television Network, just can't compete with Rip's
ratings. He invites our hero to a meeting and offers him a blank
check if he signs with his network. Rip is far too moral and
upstanding to break his current contract so he shoves the cheque
right down Brells throat. In response, Brell tries to kidnap Rip by
driving his limo to a deserted farmhouse and giving him some hoods to
beat up for a little while. Rip destroys the inside of the limo
before literally exploding out of the roof just in time for some
super positive Bon Jovi-esque soft rock to kick in. The more the
hoods punch him the more dramatic Rip's gurn becomes. He does some
vocal impressions of an angry rottweiler before beating them all up.
Once he's finished with the hoods he drags the limo driver out of the
car but doesn't pound him because he has pissed himself. He asks him
what the smell is and the driver starts blubbering and repeating
"coo-key, coo-key". Which I guess the script writers
thought meant "piss" in hipster talk.
Brell sends in Samantha
(Joan Severence) a sexy undercover marketing executive to keep an eye
on Rip. He is not interested in her ideas about capitalism because he
just wants to do some charity work. They go for a meal in a posh
restaurant and Rip wears an entirely white suit which blends
seamlessly with his hair colour.
Meanwhile Brell and his
evil team of television executives (the least convincing job titles
for baddies I've ever heard) go to the worlds craziest biker bar to
find a suitable substitute for Rip. This place has everything; A
smart assed midget in a cage, a VD room in the men's toilet, fat men
in dungarees head butting each other, a "no hippies" sign
on the wall, a tattoo artist working away and a bar maid who hocks up
loogies. Watching the carnage, Brell comes up with the idea for a new
show called "Battle Of The Tough Guys", a no holds barred
wrestling competition set in this very bar with a $100,000 prize.
During the first episode of the show a rather scary looking Zeus
(Tommy 'Tiny' Lister) smashes through a wall, smothers the place in
dry ice and picks a bar maid up by her face. He then enters the
competition and wins comfortably. Zeus has a Z shaved into his head,
one long eyebrow and a lazy eye. Brell figures he has found his new
star.
Rip watches the show from
his dull suburban pad before going on a publicity trip with Samantha.
He saves the customers in a restaurant from a hold up by throwing
pies at the assailants. He doesn't try to grope Samantha despite
having to sleep in a double bed with her, he chooses to do press ups
wearing nothing but a tiny pair of orange knickers instead. Possibly
because of the above, Samantha starts to fall for his minimal charms.
She decides that she can no longer double cross him because he's
"such a nice guy" and tells Brell to take a hike. Brell
slaps her and leaves her bruised.
When Rip see's the bruise
he pulls a bemused face for what seems like an eternity before
breaking the tension by initiating an impromptu tickle fight. This is
interrupted when Rip overhears a television broadcast in which Zeus
makes a challenge for the title. Instead of facing the challenge, Rip
decides to attend a children's sports day in which he encourages and
hugs various races of children. Again he is interrupted by Zeus who
shows up in a helicopter which has been strangely adorned with a
rainbow flag. Zeus slow motions his way over to Rip and has a stare
down with our hero. Rip's stare down technique looks as if he's
suffered a Bells Palsy.
Not satisfied with the
helicopter stunt, Brell decides to send a goon to kidnap Samantha in
a car park. Just as the dastardly act is taking place Rip arrives
driving a Harley Davidson with a "Rip Em" number plate. He
runs the goon over before throwing him into a tree with the immortal
line "party with you and me, in a tree"... Hulkster poetry.
Rip's thus far characterless little brother Randy (Mark Pellegrino)
decides to go and see one of Zeus' fights which is inexplicably
taking place in an iron work factory. Zeus strangles Randy and leaves
him in the hospital. When Rip finds out what has happened he goes
into a 'roid rage at Zeus' gym and accepts his challenge. Following
the outburst, he goes to the hospital to check on his brother. In
this scene, Hogan manages some very believable eye tears which are so
out of context with the rest of his wooden performance that it is
actually quite moving.
Strangely, the inevitable
pre-fight training montages are kept to a bare minimum. Zeus has a
brief gym montage in which he punches breeze blocks and tenses his
large muscle sacks. Hogan's montage forgoes any training footage and
instead shows him putting his brother in a bath and lovingly
encouraging him to walk.
I'm sure I don't need to
tell you the rest of the tale. The two square off in the big match.
Brell kidnaps Samantha and tries to get Rip to throw the fight. Zeus
starts the stronger but with a little crowd encouragement and a lot
of heart Rip manages to fight back and win the day. The movie
finishes with Brell getting electrocuted followed by a freeze frame
of Rip hugging his brother and giving us all the thumbs up.
As a kids film I actually
think this movie is pretty effective. I certainly thought so when my
Dad got it out of the video shop for me in 1990. However, the main
problem with the film is Hogans half assed performance. Here he is
asked to play a loveable, caring character with a strong moral
compass. Unfortunately Hogan is so obviously such a massive prick
that he would have had to be an amazing actor to make us believe in
him. He is not an amazing actor. He is the acting equivalent of a
brain injury.
There are some enjoyable
performances from Kurt Fuller and Tommy Lister and some of the fight
scenes are fairly effective if massively overblown but overall the
film suffers from being a vanity project for a man and furthermore an
industry which is the epitome of egotistical nonsense. The film was
obviously churned out to capitalize on Hogan's undoubted popularity
at the time but he put such miniscule effort into learning how to
work in front of a camera that his performance is absolutely
laughable and doesn't come close to living up to his hype. Hogan
would improve slightly for later films such as Suburban Commando and
Mr Nanny but the guy was never going to win any Oscars lets be
honest.
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